American popular music

Classical penalization is the prowess penalization produced in, or rooted in the traditions of Western liturgical and secular music, encompassing a panoptic period from roughly the 9th century to present times. The central norms of this tradition became codified between 1550 and 1900, which is known as the ordinary practice period.
European penalization is largely important from many other non-European and popular singable forms by its system of staff notation, in ingest since about the 16th century. Western staff notation is used by composers to prescribe to the performer the pitch, speed, meter, individualist rhythms and exact execution of a example of music. This leaves less room for practices, such as improvisation and ad libitum ornamentation, that are frequently heard in non-European prowess penalization (compare Indian classical penalization and Japanese tralatitious music) and popular music.
The term \"classical music\" did not appear until the early 19th century, in an attempt to \"canonize\" the period from Johann Sebastian Bach to Beethoven as a golden age. The earliest reference to \"classical music\" recorded by the Oxford English Dictionary is from about 1836.

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